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Review: YMTC's "Ragtime" Transcends Both Stage and Expectations

The production is heart wrenching and joyous, with a degree of power audiences may not be expecting from its youth-only cast.

"Ragtime," the latest production from Berkeley's Youth Musical Theater Company (YMTC), is performed on a small stage, with very few props and no scene changes — and yet, the show is epic.

The audience is stunned from the first belting note, through the pitch-perfect harmonies. By the finale, they're on their feet, most smiling contentedly, and others with tear-stained cheeks. The applause rattles the Julia Morgan Theater, and even some of the more bashful cast members.

The pièce de résistance? All the actors and actresses in the production are between the ages of 10 and 21.

Yes, even Luna Lewis, a 10th grader at Berkeley High School who plays leading lady "Sarah" with an exceptional maturity of emotion. Lewis can also carry a beautiful melody.

Misha Riley, a 12th grader at Maybeck High School in Berkeley, is so endearing in his role at the immigrant "Tateh" that he becomes the most empathetic character. Through his deep and earnest performance, with an undercurrent of humor, Riley inspires the audience to relive their own immigrant tales of chasing the American Dream and finding disillusionment and struggle along the way.

Sarah's love interest and the show's leading man, "Colehouse Walker Jr.," is played by 21-year-old Dawon Davis, an Oakland native and former foster youth who makes the stage his home. His commanding presence and rich voice, along with the breadth of his acting abilities, make Davis a must-see performer.

But it is Shelby Stewart, a 12th grade student at Head-Royce school in Oakland, who first captures the audience's attention with her acoustic talents and the sincerity of her performance. Stewart's voice is perfectly powerful, and a sweet, subtle emotion dances on her face in every scene.

"Ragtime," based on E.L. Doctorow's 1975 novel and adapted for stage by playright Terrence McNally, follows the lives of three families in turn-of-the-century America as they struggle to grasp, or hold onto, their American Dream. Director Jennifer Boesing brings the show to life on the Julia Morgan Theater stage, creating space and atmosphere with a dynamic production that transcends the stage.

The show begins with a series of vignettes, capturing the pomp and power of the early 1900s. Soon, a story emerges as the lives of the characters begin to intertwine, forcing them to face the contractions of their time. Wealth and poverty, freedom and prejudice, hope and despair must face-off to overcome injustice and transform tragedy to triumph.

As a musical, "Ragtime" offers soulful melodies and feet-tapping tunes, evoking a range of emotions as the audience commiserates and celebrates with the characters on stage. The foundation of the show's musical vibrancy sits below stage, as a live 26-piece orchestra fills the theater with Stephen Flaherty and Lynn Ahrens' award-winning music. 

"Ragtime" first opened on a Toronto stage in 1996 and went on to win the 1998 Tony Award for Best Score, Best Book and Best Orchestration. The show was revived on Broadway in 2009.

Performances of "Ragtime" continue this week from Thursday, Feb. 16 through Sunday, Feb. 18, with a 7:30 p.m. showtime. Buy tickets online here.

The performance on Thursday, Feb. 16 is a special night for teachers and teenagers, with $10 tickets available to youth under the age of 22 (use the discount code "Facebook" when purchasing tickets online), and a post-show talk-back session with directors and cast members. Group rates are available for teachers who wish to bring their classes to see "Ragtime." Contact YMTC here for more information.

Have you seen YMTC's "Ragtime"? What did you think? Share your thoughts in the comments.

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nick mastick April 28, 2013 at 09:34 pm
Of all the concerns in our society, I put this just about dead last.
Steven Murphy April 17, 2013 at 02:25 am
Hmm. So I think you're telling me I need to add the countdown timers to the long list of BerkeleyRead More idiosyncrasies I need to ignore? I guess can do that. Thanks. --Murph
Alexander Sinclair Merenkov April 15, 2013 at 04:34 pm
This is very interesting. I bicycle and walk a lot around Berkeley. I think i know exactly whatRead More signal is being referred to the walk sign across Bancroft at MLK specifically will reset itself. many of the walk signals rely on induction loops which are loops placed in the ground that can detect Bicycles and Cars when the Bicycles or cars pass over them disrupting the current. You can often see these loops as they look like hexagonal saw cuts in the ground. Anyways the intersection detects traffic with these devices & if it doesn't detect anything then it assumes nothing is there and gives right of way to the major throughway in this case being MLK. So the reason the counter to cross Bancroft resets itself is totally logical because the intersection suspects no one is there and since that side of Bancroft is more or less residential there would be no point in setting that intersection to a timer where it gives priority to one light then the other & switches based on that & not on wether it detects any bicycles or cars passing over the induction loops. Also this is Berkeley and we are rather quirky and always have been so nobody exactly fallows the rules or knows about them its funny how simple crossing the street really is but its anything but simple in reality. Many people choose to jay walk if its safe to do so, this is typical on Shattuck at alston especially and makes sense for efficiency but isn't very safe or lawful. If the hand is flashing/Counting down dont cross!
Janet Scrivener April 6, 2013 at 11:15 pm
Actually, I just saw and spoke to him about an hour ago - the wire sculpture man. He'd moved downRead More Solano a few blocks, opposite Safeway. I asked him if the police had moved him off Colusa. He said he didn't want to talk about it. He wasn't in a very good mood. I told him that people had asked about him on a web local news site. He said, "People want to know how I'm doing? I need a car. I need somewhere to put my stuff in. To get off the streets. I don't want to sit around starving in public." I thought to myself, "Who do I think I am? A Girl Scout leader? Pollyana?" I realized my upbeat, cheery tone was really not what was needed just then. I said I couldn't help him with a car. "People want to know how I'm doing?" he said again. "Tell them that." I said, "I will." I turned to walk away, knowing only too well that the real needs that exist, yes, right here in our lovely, excellent neighborhood, are great and once you start giving you'll find it's difficult to get out of. He did say, "Thank you," as I left. He doesn't look like he's starving. But he's right about being out in public more than he would like to be. As a reasonable human being, I have to ask myself, what sort of person finds himself in that position? Ex con? Mental illness? Mind-blown Vet? Drugs? Alcohol? Incapacitated by an accident? An unforgivable act? Some combination of the above? Jesus did say, "The poor you shall have always with you." What would you do?
P. Park April 4, 2013 at 03:29 am
I agree Shattuck, especially right in front of the fire station is the scariest street around.
Mary April 3, 2013 at 06:45 pm
I am not disabled, but I am terrified of crossing streets nowadays because there are too manyRead More careless and aggressive drivers who act is if red lights, speed limits, and crosswalks either don't exist or don't apply to them. Shattuck in particular has become a nightmare to cross. Sometimes I have counted over 30 cars going by before one stops for the crosswalk. What we need is far more law enforcement - the tickets written would more than pay for the cost of hiring extra officers.