.
Feedback

Beloved, Fresh & Engaging Celtic Americana Duo Flower & McLaren return to The Freight!

 ,   Add to calendar
 Berkeley  See map

BELOVED, FRESH & ENGAGING CELTIC AMERICANA DUO FLOWER & MCLAREN BLEND BRAND NEW TUNES WITH TRIED AND TRUE TREASURES IN A HIGHLY ANTICIPATED RETURN ENGAGEMENT AT THE FREIGHT & SALVAGE

 

Bay Area musical favorites, Robin Flower and Libby McLaren will perform a selection of brand new tunes and other choice picks from their extended catalog of original songs. Joining them in the celebration will be their hot band of longtime musical compatriots: bass player extraordinaire, Jan Martinelli; fiddle, guitar and vocals with their friend from "Wake The Dead", Danny Carnahan; and percussion master Peter Maund.

Flower and McLaren's performance at the Freight will highlight five brand new tunes that have not been played in public before. The engaging "Tell Me" is the first love song they have ever written in their 25 years of musical collaboration! The song is set in nature where two people meet while fly fishing on a river, and how the river has a mysterious influence on the outcome of their encounter. An intricate call and response is interwoven within the music and lyrics. An old Woody Guthrie chestnut "Pastures of Plenty" is getting an exciting modern twist. The song is being paired with the Southern tune "Foggy Dew" building one verse at a time. It begins with Robin's soulful old-time blues interpretation, leading into Libby's and then Danny Carnahan's rich voices to produce a tight powerful vocal on this timeless American anthem. Side-note: Robin Flower will be performing in the Woody Guthrie celebration of his 100th birthday in July at the Freight as a member of the band.

"After Augrim" is a famous poem by Irish writer, Emily Lawless. Flower and McLaren were inspired to set the poem to music and pair it with a tune written on electric guitar to simulate the sound of pipes.  The duo has composed a melody so brand new that it has not even been named yet! For now they are just calling it the "UnLap Tune" because they use an unlap dulcimer, which is held with a strap like a guitar. Combined with a banjo, they strive to create a unique "mountain sound".Combining inventive instrumental prowess on piano, fiddle, accordion, mandolin, and guitar and the intertwining of richly textured vocal harmonics Flower and McLaren have created a unique brand of Folk Fusion. To complete their lineup of brand new pieces Flower and McLaren are showcasing Texas singer/songwriter, Butch Hancock's sweet, mournful and epic love song "If You Were a Bluebird ". This will be a lush vocal extravaganza, sung by Libby with Robin and Danny on harmonies. 

Come visit the Freight and experience the musical company of two of Celtic Americana’s most vastly creative and accomplished artists. Flower and McLaren continue to find their collective voice through their love of song and tune writing, traditional Irish instrumental music and staying close to their early musical roots. Come for the music, the creativity, the community and the fun!

Bios:
Multi instrumentalist, songwriter, and performer Robin Flower's music was influenced from her mother's traditional Kentucky roots as well as the rock, folk and later swing of America. She moved seamlessly through these musics, picking up stylistic nuances while playing mandolin, fiddle, and guitar, recording 4 albums for Flying Fish Records.  Her recordings and live performances, topical and quirky songwriting and driving instrumentals  have garnered accolades from Frets Magazine, the VillageVoice, The Boston Globe, Bluegrass Unlimited, Canada's Globe and Mail, and a myriad of other publications. Robin toured in the back up band for the legendary duo Hazel and Alice (Hazel Dickens and Alice Gerard)and legendary guitar player, Elizabeth Cotten.

Libby McLaren grew up listening to swing and jazz as well as her father's Dixieland banjo playing while learning to play the piano. Her singing style developed while singing with the popular California-based jazz fusion band, Night Flyte.  The band was signed in New York by GRP Records.  After Night Flyte, Libby was busy with a career as an in-demand back-up singer in New York City. She co-wrote the #1Billboard Disco hit, "For the Same Man"  Five years before her return to California, Libby became an integral member of the three-sister folk super-group, The Roches, as the keyboard player and 4th singer. With her return to the San Francisco Bay Area,  Libby became the pianist and singer with the celebrated Ronnie Gilbert  of The Weavers. She has also recorded with Nobel Peace Prize nominee singer-activist Holly Near.

Media & Artist Quotes:
"With a musical intimacy that is extraordinary, Robin Flower & Libby McLaren create a unique excitement in every performance."- Indie-music.com

"It is a musical marriage made in heaven, Flower and McLaren's. To be in the presence of their joyous musicianship, so full of passion for life, is to travel in the realm of pure delight."-Ronnie Gilbert

Website: http://flowerandmclaren.com

Loading comments ...
Note Article
Just a short thought to get the word out quickly about anything in your neighborhood.
Share something with your neighbors. Write a new post... What's up? Make an announcement, speak your mind, or sell something
protests in Washington DC
Speak Out  

0   Recommend J M

protests in Washington DC
actors from Clerks 1 and 2
Speak Out  

0   Recommend J M

actors from Clerks 1 and 2
nick mastick April 28, 2013 at 09:34 pm
Of all the concerns in our society, I put this just about dead last.
Steven Murphy April 17, 2013 at 02:25 am
Hmm. So I think you're telling me I need to add the countdown timers to the long list of BerkeleyRead More idiosyncrasies I need to ignore? I guess can do that. Thanks. --Murph
Alexander Sinclair Merenkov April 15, 2013 at 04:34 pm
This is very interesting. I bicycle and walk a lot around Berkeley. I think i know exactly whatRead More signal is being referred to the walk sign across Bancroft at MLK specifically will reset itself. many of the walk signals rely on induction loops which are loops placed in the ground that can detect Bicycles and Cars when the Bicycles or cars pass over them disrupting the current. You can often see these loops as they look like hexagonal saw cuts in the ground. Anyways the intersection detects traffic with these devices & if it doesn't detect anything then it assumes nothing is there and gives right of way to the major throughway in this case being MLK. So the reason the counter to cross Bancroft resets itself is totally logical because the intersection suspects no one is there and since that side of Bancroft is more or less residential there would be no point in setting that intersection to a timer where it gives priority to one light then the other & switches based on that & not on wether it detects any bicycles or cars passing over the induction loops. Also this is Berkeley and we are rather quirky and always have been so nobody exactly fallows the rules or knows about them its funny how simple crossing the street really is but its anything but simple in reality. Many people choose to jay walk if its safe to do so, this is typical on Shattuck at alston especially and makes sense for efficiency but isn't very safe or lawful. If the hand is flashing/Counting down dont cross!
Janet Scrivener April 6, 2013 at 11:15 pm
Actually, I just saw and spoke to him about an hour ago - the wire sculpture man. He'd moved downRead More Solano a few blocks, opposite Safeway. I asked him if the police had moved him off Colusa. He said he didn't want to talk about it. He wasn't in a very good mood. I told him that people had asked about him on a web local news site. He said, "People want to know how I'm doing? I need a car. I need somewhere to put my stuff in. To get off the streets. I don't want to sit around starving in public." I thought to myself, "Who do I think I am? A Girl Scout leader? Pollyana?" I realized my upbeat, cheery tone was really not what was needed just then. I said I couldn't help him with a car. "People want to know how I'm doing?" he said again. "Tell them that." I said, "I will." I turned to walk away, knowing only too well that the real needs that exist, yes, right here in our lovely, excellent neighborhood, are great and once you start giving you'll find it's difficult to get out of. He did say, "Thank you," as I left. He doesn't look like he's starving. But he's right about being out in public more than he would like to be. As a reasonable human being, I have to ask myself, what sort of person finds himself in that position? Ex con? Mental illness? Mind-blown Vet? Drugs? Alcohol? Incapacitated by an accident? An unforgivable act? Some combination of the above? Jesus did say, "The poor you shall have always with you." What would you do?
P. Park April 4, 2013 at 03:29 am
I agree Shattuck, especially right in front of the fire station is the scariest street around.
Mary April 3, 2013 at 06:45 pm
I am not disabled, but I am terrified of crossing streets nowadays because there are too manyRead More careless and aggressive drivers who act is if red lights, speed limits, and crosswalks either don't exist or don't apply to them. Shattuck in particular has become a nightmare to cross. Sometimes I have counted over 30 cars going by before one stops for the crosswalk. What we need is far more law enforcement - the tickets written would more than pay for the cost of hiring extra officers.